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Equipment I Use

After a deep understanding of the fundametals of sound and the philosophy behind recording practices, the tools used to capture it are the next most important factor. I pride myself on my training in a wide varity of past and present technologies, and my ability to implement those to best serve client needs. Below is the gear I use based on proven reliablity, quality, workflow, and end results.

Mixers/Recorders

  • Sound Devices 664 - 12 Input, 16 Track Recording
  • Sound Devices MixPre 6 - 6 Input, 8 Track Recording

Microphones

  • Schoeps CMIT - Shotgun
  • DPA 4017b - Shotgun
  • DPA 4018 - Supercardioid
  • AT 4053b - Hypercardioid
  • DPA 6060 (x4) - Omni, Lavalier
  • DPA 4060 (x4) - Omni, Lavalier
  • Sanken COS-11D (x4) - Omni, Lavalier

Wireless Systems

  • Lectrosonics
  • SRc (x2) - Receiver
  • DCR822 (x2) - Receiver
  • SMDWB (x4) - Transmitter
  • HMa - Transmitter
  • Wisycom
  • MCR54 - Receiver
  • MTP40s (x4) - Transmitter

Camera Hops and IFB

  • Sennheiser
  • G4 - Transmitter
  • G4 (x3) - Receiver (Camera Hop)
  • G4 IEM (x8) - Receiver (IEM/IFB)

Timcode

  • Tentacle Sync E (x4) - Lock Box
  • Denecke TS-3 - Timecode Slate