Equipment I Use
After a deep understanding of the fundametals of sound and the philosophy behind recording practices, the tools used to capture it are the next most important factor. I pride myself on my training in a wide varity of past and present technologies, and my ability to implement those to best serve client needs. Below is the gear I use based on proven reliablity, quality, workflow, and end results.
Mixers/Recorders
- Sound Devices 888 - 16-channel, 20-track mixer/recorder
- Sound Devices 664 - 12-channel, 16-track mixer/recorder
- Sound Devices MixPre 6 - 6-channel, 8-track mixer/recorder
Microphones
- DPA
- 4017
- 4018
- 4060
- 4061
- 6060
- Schoeps
- CMIT
- Sennheiser
- 8040
Wireless Systems
- Wisycom
- MCR54 - Receiver
- MTP40S - Transmitter
- Shure
- ADX5D - Receiver
- AD3 - Transmitter
- AD1 - Transmitter
- Lectrosonics
- SRc - Receiver
- SMDWB - Transmitter
Camera Hops and IFB
- Sennheiser
- G4 - Transmitter
- G4 - Receiver
- G4 IEM - Receiver
Timcode
- Tentacle SyncE - Timecode Box
- Denecke TS-3 - Timecode Slate
- Deity TC-SL1 - Timecode Slate