Equipment I Use
After a deep understanding of the fundametals of sound and the philosophy behind recording practices, the tools used to capture it are the next most important factor. I pride myself on my training in a wide varity of past and present technologies, and my ability to implement those to best serve client needs. Below is the gear I use based on proven reliablity, quality, workflow, and end results.
Mixers/Recorders
- Sound Devices 664 - 12 Input, 16 Track Recording
- Sound Devices MixPre 6 - 6 Input, 8 Track Recording
Microphones
- Schoeps CMIT - Shotgun
- DPA 4017b - Shotgun
- DPA 4018 - Supercardioid
- AT 4053b - Hypercardioid
- DPA 6060 (x4) - Omni, Lavalier
- DPA 4060 (x4) - Omni, Lavalier
- Sanken COS-11D (x4) - Omni, Lavalier
Wireless Lavalier Systems
- Lectrosonics
- SRc (x2) - Receiver
- DCR822 (x2) - Receiver
- SMDWB (x4) - Transmitter
- HMa - Transmitter
- Wisycom
- MCR54 - Receiver
- MTP40s (x4) - Transmitter
Wireless Camera Hop and IFB
- Sennheiser
- G4 - Transmitter
- G4 (x3) - Receiver (Camera Hop)
- G4 IEM (x8) - Receiver (IEM/IFB)
Timcode
- Tentacle Sync E (x4) - Lock Box
- Denecke TS-3 - Timecode Slate