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Post? No, we’re going to “fix it” in production.

It’s my business to bring the highest quality audio capture to your project. From features to commercials; documentary to corporate—I have the experience, passion, and skillset to have your audio sounding pristine from the moment ”action” is called.

","https://drive.google.com/uc?id=1T2Z87c3mUax_fiZJMuo1Wb55sh60OtJ7","https://drive.google.com/file/d/125dN-IhGgGNUIIFAupYNqCw-OZeZgqk6/view?usp=sharing"],["About","About Me","

I’ve been on set since 2017 and have no desire to look back. Not even a tiny bit. The dynamics, focus, teamwork, challenge, camaraderie, joy—it’s a truly beautiful and humbling process.

I can’t remember a time that I wasn’t interested in audio. Same goes for film. After I graduated with my A.S. in Sound Arts, I was fortunate enough to merge these two passions into a career. I’ve done just about everything in the realm of production since. Traveling, late nights, early mornings, new friends, new journeys, the tiny moments where we all realize we were part of something indescribable and unmeasurable. I live for this.

I take the audio capture seriously because it’s what your project deserves. Nothing takes and audience out of your message faster than an issue with the sound. I’m here to make it easy on you and your postproduction team by getting that dialogue/ambience/sfx clear and healthy from the beginning to avoid triage and surgery further downstream. I use professional equipment that I’ve taken the time to master, so production doesn’t sag where it doesn’t need to. Furthering my education is a top priority. I’m a card carrying member of the Audio Engineering Society (AES) and regularly take the time to learn about and keep up with industry trends. I stay connected with my colleagues and love to talk shop, foster friendships, and build community. I pride myself on being easy and accommodating to work with. A deep respect for everyone is at the forefront of every action I take.

Trust your audio is in good hands.

Sound good? I’d love to connect and discuss how to best serve your next project.

","https://drive.google.com/uc?id=1QYwDhuuhLMPVXYuQrYVLtLbgHTTf0TKR"],["Gear","Equipment I Use","

After a deep understanding of the fundametals of sound and the philosophy behind recording practices, the tools used to capture it are the next most important factor. I pride myself on my training in a wide varity of past and present technologies, and my ability to implement those to best serve client needs. Below is the gear I use based on proven reliablity, quality, workflow, and end results.

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From recording bands and church choirs to run-and-gun documentary and feature films, I've built up a vast and varied body of production audio experience. Here's a sample of projects I've been fortunate to work on.

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If you have upcoming projects that need production audio, do not hesitate to reach out! I'm always available to talk project scope and needs specific to your vision.

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It also removes the space so it doesn't end up on your site."],["Mixers/Recorders","Sound Devices 664 - 12 Input, 16 Track Recording","Sound Devices MixPre 6 - 6 Input, 8 Track Recording"],["Microphones","Schoeps CMIT - Shotgun","DPA 4017b - Shotgun","DPA 4018 - Supercardioid","AT 4053b - Hypercardioid","DPA 6060 (x4) - Omni, Lavalier","DPA 4060 (x4) - Omni, Lavalier","Sanken COS-11D (x4) - Omni, Lavalier"],["Wireless Systems","Lectrosonics ","SRc (x2) - Receiver","DCR822 (x2) - Receiver","SMDWB (x4) - Transmitter","HMa - Transmitter","Wisycom ","MCR54 - Receiver","MTP40s (x4) - Transmitter"],["Camera Hops and IFB","Sennheiser","G4 - Transmitter","G4 (x3) - Receiver (Camera Hop)","G4 IEM (x8) - Receiver (IEM/IFB)"],["Timcode","Tentacle Sync E (x4) - Lock Box","Denecke TS-3 - Timecode Slate"],[],[],[],[],["Resume Component"],["Feature","Bough Brothers - Drama - October 2020","After America - Drama - December 2018","Bitcon - Drama - October 2019","Whoever You Are - Horror - March 2021","Wolves and Other Factors - Drama - May 2018"],["Short","Hazard - June 2021","Pit Stop - February 2020","Expecting - July 2021","Old Media Studies - January 2018","Dysmorphic - August 2021","Bomb Pop - June 2020","Homemade - October 2017"],["Corporate/Commercial","Science Museum of Minnesota - The Idea - November 2020","North Memorial Hospital - NICU Awareness Month - September 2021","Jostens - Yearbook+ - January 2022","Science Museum of Minnesota - Truant - Dec 2021","Allina Health - Change to Chill Internal Interviews - July 2021","Gutter Helmet - Commercial - October 2021","EarthScout - Promo - June 2021 "],["Documentary","Making (Her)Story - July 2021","I Can’t Breath - September 2021","In Plain Sight - October 2021","Life Inverted - October 2020"],["Web Series","Fem 101 - June 2018 ","(Mis)Placed - March 2020","Sacred Stories - August 2020"],["Postproduction","After America - Dialogue Edit - December 2018","Homemade - Soundtrack - October 2017","Her Companion - Dialogue Edit, Mix - April 2018","Fragile White - Sound Effects - March 2021","Art Start - Intro Theme Mix - June 2020"],[],[],["Navigation Comopnent"],["Path","Name"],["/","Home"],["/about","About"],["/gear","Gear"],["/work","Work"],["/contact","Contact"],[],[],["Meta Tag Data","Title","Description","Canonical","OG - Title","OG - Description","OG - Image","Twitter - Title","Twitter - Description","Twitter - Image"],["Home","Adam Biel Audio | Location Sound Mixer","Adam Biel is a production audio mixer located in Minneapolis Minnesota. 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